Three Poems By Shome Dasgupta

The Clasp of the Rake

A sift of flaked leaves

and fallen moss—dirt

cooled between fingers,

crisp and brown, netted

grass itch for an earth:

 

slushed Louisiana under

afghans of caked foliage,

spark—a sparkle, a frail

fall and tangs of smoke

from burnt fields of cane,

 

teardrop ash, a flailing—

flickering like dropped

stars in horizon winds

from the Gulf. Soon—

a gathering of soft mud:

 

a harvest when rabbits

and raccoons lift paws

and hinds and stretch

toward evening yawn,

over a plain, a mosquito

 

—full, a history of farm

and thinned plains, floats

from bent petal to petal,

in search of roots, to tell

stories of times before—

 

Mawmaw

Mawmaw is no longer dead—

so says the city of Maurice:

I was at the local grocery store,

located inside the gas station,

two cans of dip at the counter—

Rooster—I needed a burn. Sore

gums and spotted teeth—black

and grainy: spitting gives purpose

to a summer Louisiana heat, rain

and Gulf humidity—nothing else

to do outside. The lady shook

her head and prayed out loud:

three Hail Marys as if the priest

is on the other side at church—

she couldn't believe it: Mawmaw

is back—she ain't dead no more.

 

My Dida is an owl: a visit, stooped

in our garage—she passed away

two weeks before then, Parkinson’s

led her to a life of wings and wisdom.

I waved to her before she flew away,

a prayer, much like the lady behind

the counter—I saw her green sari

and bright red bindi, bangles on thin

wrists and standing on the balcony

of a Kolkata flat: yellow rusted rails

and a blackbird. The sun was special

that day, how she rose from her chair

and smiled—the bird cawed before

taking off. The owl soars into mind

today while she whispers Mawmaw:

a bird outside—I nod, maybe wave.

 

Growing Up Lafayette

Gulf winds and nodded chimneys,

swimming in flooded roads, free,

the taste of mud—clay tapped our

tongues, gritted and coarse from

earth’s burnt gumbo. Fais do do

lullabies sung from Sunday AM

at Randol’s, we hummed along,

and jumped on trampolines: up—

toward a Cajun soleil, drenched

shirts bought from Judice Inn,

a well behaved lunch and two

bags of Zapp’s Crawtators led

to evening naps. Come night—

howling mosquitoes: thick Creole

tomatoes vines and curled, moon

filled eyes await another rain,

toujours—a rabbit and raccoon

play along fence lines and bark:

a scratch and a scratch, pressed

gardens, imprinted with souls

and soles of Deep South folk.

 

About the Author

Shome Dasgupta is the author of The Seagull And The Urn (HarperCollins India), and most recently, the novels The Muu-Antiques (Malarkey Books) and Tentacles Numbing (Thirty West), a prose collection Histories Of Memories (Belle Point Press), a short story collection Atchafalaya Darling (Belle Point Press), and a poetry collection Iron Oxide (Assure Press). His writing has appeared in McSweeney's Internet Tendency, Emerson Review, New Orleans Review, Jabberwock Review, American Book Review, Arkansas Review, Magma Poetry, and elsewhere. He lives in Lafayette, LA and can be found at www.shomedome.com and @laughingyeti.

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