By Connor White

When Walt pulled the van into a parking spot beside the baseball fields, the Watkins kid was standing out in centerfield, unaccompanied, a cigarette dangling from his lips and a mitt hatted on his head as he beat the carcass of a dead raccoon with a stick.

By Jisoo Hope Yoon

In the dark I dream only of bottomless mimosas. When I wake my neck is stiff, a sharp sideways pain like the grind of a screw rusted orange. I right my head and immediately lock eyes with a middle-aged man sitting across from me, too-tight-suit revealing the contour of a soju belly from nights downing pork grease and alcohol to satisfy his boss’s whims.

By Casey Brooks

Somewhere there is a heartbeat on the bus. To sit upright was a seldom ignorable terror, no matter how much has been lost. It makes it bulge out, defiling form and function. Today was different, the earth was, for the first time, in transit with a radiant body. Its light melted away the sticky mold that was a life resigned to semi-consciousness.

By Ivy Char

It was Celia who first called me H. Although we were close, having known each other since kindergarten, I had learned to stray from topics that might turn to points of contention, as was apparently the case with the letter. And besides, there existed the distinct possibility, advanced by the satisfied look on her face, that this was all some sort of friendly challenge. “Why ‘H?’” I wondered, and wondered often.

By Maeve Barry

Stefan’s adopted mom told him I got into Showstoppers cause I’d have no problem wearing the skanky outfit. Stefan’s adopted mom told him this to make him feel better because he didn’t get in. He told me. I am eight and three quarters and I don't care.

By Sergei Linkov

Sometimes, when my mother partook of vodka, she would become convinced that she was the illegitimate daughter of some nobleman. She spoke of his estate on the Neva river, where she recalled herself toddling along poplar-lined alleys and hiding alder cones under the Roman columns of the gazebo.

By Victor Barall

Now there is a gradual dying away, a diminution by degrees of the small talk among the great ones as the rumor diffuses through the stadium that the sovereign has been seen stepping out of his chamber, or if not the sovereign, then at least the large white feather that invariably accompanies him on the days he dons, at a rakishly oft-kilter angle, his black velvet beret.

By Carlie Hoffman

It was October. An unseasonably warm day. I know because I was wearing shoes without socks. Near the campus of John F. Kennedy High School, the stray geese crowded on the brown grass by the traffic circle, like groupies as if the honking horns of the cars were a rock band.

Besides the fact that I happened to be living in one of them, all the houses looked exactly the same: blue clapboard and white vinyl trim stippled to look like real wood. Houses with landlines and hot tub hookups and no hot tubs attached. Horseshoe-shaped driveways, single acre lots. Idyllic little prefab Kennedy compounds. Pretty much the entire development had been deserted since Labor Day, which was when I’d arrived on the scene, still tan from the final summer of what I’d already begun to think of as my Old Life.

Harry Dodge is well known as a visual artist whose works are in the permanent collection of museums such as the Museum of Contemporary Art in Los Angeles. My Meteorite or, Without the Random There Can Be No New Thing is his first book, and it is as experimental in form and subject as his other creations. Like all works of art, it is an attempt to create patterns, to impose some order on our experience of the world. While the book has many virtues, it sometimes fails in that task, leaving us with a postmodern sense of randomness to which the book’s subtitle bows.