An interview with Rachel Galvin about wallops, activism, and the future of self-translation.
Art and Seoul: An Interview with Frances Cha
Frances Cha speaks about If I Had Your Face, her debut novel set in South Korea, and about writing, art, pop culture, and women.
Writing Iranian America: An Interview with Porochista Khakpour
In this interview, Jasmine Vojdani speaks with writer Porochista Khakpour about fragmented identity, being Iranian in America, regret, and her new book, The Brown Album:...
On Being A Good Indian: An Interview With Stephen Graham Jones
Max Asher Miller spoke with Stephen Graham Jones about The Only Good Indians, a bloody book with eyes on what it means to navigate Native...
Music, emotion and group translation: an interview with Terry Ehret, John Johnson and Nancy J. Morales
It is necessary and vital that we experience poetry from other countries if not simply for the reason that it allows us to sensitize and...
They Said This Would Be Fun: An Interview with Eternity Martis
Martis writes about the body in stressful and harmful times, boyfriends gone so wrong they dip into Greek tragedy, and separates the chapters with pithy...
On New Roads: An Interview with Peter Frankopan
In this interview, Sarah Gheyas spoke to Peter Frankopan about his latest book, The New Silk Roads, which looks at the shifting geopolitics and the...
The Benefits of Being a Hysterical Shrew: An Interview with Sarah Ramey
In this interview, Editor-in-Chief spoke with writer Sarah Ramey about her debut memoir, The Lady’s Handbook For Her Mysterious Illness.
Writing into Crisis: An Interview with Paul Lisicky
In this interview, Nina St. Pierre talks to author Paul Lisicky about his sixth book, the memoir, Later: My Life at the Edge of the...
‘This world has not yet become ash’: an Interview with Jane Hirshfield
In this interview, Columbia Journal online arts editor Jai Hamid Bashir talks to poet Jane Hirshfield about her ninth poetry collection Ledger (Knopf, March 10,...
On Elegant Endings: An Interview with Paola Antonelli
What brought me back into the room was Antonelli saying, “there is no drama in the beginning or end of life.” She told the story...
A Love Letter to Translation
Three translators on why the art of translation is close to their hearts.