Review: Thick, And Other Essays by Tressie McMillan Cottom

In college, I failed an anthropology assignment on thick description, the concept from which Dr. Cottom takes her title. I had tried to write descriptively and engagingly, like the writing major I was, though in her comments on my piece, the professor essentially told me I had forgotten to do the assignment. I wrote descriptively — almost creatively — but not anthropologically. I was missing the sociocultural lens she had asked us to apply; I had failed to see the patterns in the patrons behavior, how they served (and didn’t serve) as a microcosm of something bigger.

It’s hard to write about the personal through an anthropological lens. We tend to understand our individual histories as unique to us, or as not being subject to societal limitations and pressures — if one wants to be successful, they can pull themselves up by their bootstraps, as the saying goes. That is, at least, the American ethos that many of us have invested in, though in these essays, Dr. Cottom explores the structural barriers that make the bootstrap model unavailable to all but a privileged few. With Thick, she deftly weaves together anthropology, sociology, and personal anecdote, and the result is a collection that speaks to her own experience while demonstrating broader truths about race in America.  

For instance, in “Girl 6,” Dr. Cottom encourages the heads of prestigious publications to publish the writing of black women and hire them for staff positions, not to achieve the nebulous goal of “diversity” or, worse yet, as a charitable act from the bottom of their white, intergenerational-wealth-having hearts, but because if they don’t, then these publications are missing a crucial perspective. The omission of black female voices isn’t an oversight, but a choice that should be subject to the highest scrutiny— as Dr. Cottom is quick to remind us, “In a modern society, who is allowed to speak with authority is a political act.”

The same goes for who’s allowed to misbehave. In “Black Girlhood, Interrupted,” Dr. Cottom’s description of how black girls are treated in schools made me look back in horror on my own high school experience; the ways I was handled spoke to a leniency only available to wild, self-immolating white girls, while my black peers were treated with unending suspicion and open hostility. Beneath both “Girl 6” and “Black Girlhood, Interrupted” lie the questions: who gets to learn in an environment that is conducive to their learning? What kind of double-standards exist, and what damage do they cause?

This collection is brilliant because it examines things that many power-holding white individuals would prefer to write off as anomalies. In Thick, Dr. Cottom forces us to examine the structural racism that underlies these “anomalies,” rendering them not so anomalous, and that is a powerful act.

I feel like I missed several key points in these essays, because the collection is so smart, and so layered. Dr. Cottom is a brilliant writer and a force to be reckoned with, whether she is examining how beauty standards are created and perpetuated (and to what ends), Obama’s success garnering the esteem of white liberals, or the genre of the personal essay and its continued use by marginalized people. She joins an expanding tradition of feminist nonfiction writers, but unlike many others, focuses specifically on intersectional issues such as race through a sociological lens.

Thick is incredibly entertaining — Dr. Cottom is funny — but it’s also unrelenting in its portrait of the insidious and pervasive racism that black women experience, and it doesn’t let its reader off the hook. In Dr. Cottom’s own words, “I do not paint ethereal black worlds where white people can slip into our narratives and leave unscathed by judgement for their unearned privilege.”

About the author

Eva Dunsky is originally from Venice, CA, though she currently spends most of her time browsing the $2 rack at The Strand Bookstore in NYC. Her writing has appeared or is forthcoming in Fiction Southeast, Juked Magazine, and The Drum, among others.  She is an MFA candidate in Fiction at Columbia University.

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