Susannah Nevison talks about disability, mass incarceration, and her upcoming collection, Lethal Theatre.
Take Good Care: An Interview with Mary Ann Samyn
Mary Ann Samyn talks about her first encounters with Emily Dickinson's work, her best advice for writing students, and her new collection.
In Rare Company: An Interview with Nicole Chung
Nicole Chung talks about confronting family lore surrounding her adoption, discovering revision ideas in her dreams, and editing a memoir while grieving.
Find Your Sacred Spaces: An Interview with Bill King
Bill King talks about his new poetry collection, The Letting Go, what he's learned from fatherhood, and the importance of sacred spaces for writers.
An Act of Exploration: An Interview with Deborah Eisenberg
Deborah Eisenberg discusses her forthcoming story collection Your Duck is My Duck, her writing process, and what's next.
The Power of Women’s Anger: An Interview With Soraya Chemaly
Soraya Chemaly talks about Serena Williams, #MeToo, and the realities of being a feminist parent.
Heading Back into Memory: An Interview with Richie Hofmann
The poet Richie Hofmann discusses growing up in Germany, reading translated poems, and of course, his poetry.
The Word Process: An Interview with Olivia Laing
Olivia Laing discusses the spaces she works, the one skill that writers need, and the writers she returns to again and again.
The Story of Liberia: An Interview with Wayétu Moore
Wayétu Moore discusses her transformative debut novel She Would Be King, a retelling of Liberia’s formation story steeped in magical realism.
The Word Process: An Interview with Ada Limón
Ada Limón discusses how self-reliance makes you a better writer, silencing outside influences to prevent mimicry, and "the gathering time."
A Cyborg Writer Narrates Dark Places: An Interview with Gabriela Alemán
Ecuadorian writer Gabriela Aleman discusses Poso Wells, her first translated novella into English, and the future of Latin American translations.
On Building an Engine of Calamity: An Interview with Ben Marcus
Ben Marcus talks about sequencing his stories, writing characters that want the unattainable, and mood-enhancing mist, among other things.