As a general rule, a single person should not live with a couple – it is a recipe for heartbreak – but back in those days, the three architecture students did not know that. They found a cavernous apartment near…
Founded in 1977 at Columbia University's School of the Arts
As a general rule, a single person should not live with a couple – it is a recipe for heartbreak – but back in those days, the three architecture students did not know that. They found a cavernous apartment near…
Ander Monson is not like most writers. While others strive to have one book out in the world at a time, Monson has made it a habit of publishing twin volumes simultaneously. His short story collection, The Gnome Stories (Gray…
Some Trick: Thirteen Stories is Helen DeWitt’s third book in nearly two decades. It begins with a two-page mock-epigraph called “Here Is Somewhere.” The section riffs off “We’re Off to See the Wizard” from The Wizard of Oz, except the…
Anne Enright’s latest novel Actress begins with a question: “What was she like?”. The she in question is Katherine O’Dell, famous actress of the stage and screen, an Irish icon and, most importantly, the mother of our narrator, Norah. It’s…
Taylor forces his characters to be active participants in the mess of reality. By rejecting their impulse to isolate themselves, he grants them culpability, dignity, and ultimately, humanity.
Frances Cha speaks about If I Had Your Face, her debut novel set in South Korea, and about writing, art, pop culture, and women.
Max Asher Miller spoke with Stephen Graham Jones about The Only Good Indians, a bloody book with eyes on what it means to navigate Native American identity.
A terrifying whirlwind of blood with the brains to match, The Only Good Indians is sure to be among the most exciting novels this summer can scare up.
South’s prose is funny, propulsive, and completely original… explored with nuance and depth.
Moshfegh’s Death in Her Hands makes readers feel willfully uncomfortable, unwillfully human, and potentially insane.
Ogadinma Or, Everything Will Be All Right, digs out a range of emotions—rage, expectation, admiration, admonition—which keep the reader turning page after page.
I turn and face Bill Murray. You, I say. You leave in the morning. Bill Murray looks at me as if I’m beyond saving.
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