An Interview Conducted by Jai Hamid Bashir of artist, Lilly E. Manycolors “What is the difference between my...

Vibrant Destruction
The first work I made in which I recreated an artwork from art history was “Among the Sierras...

Call for Submissions: Veterans Day Special Issue
At the Columbia Journal, we believe that the stories and voices of service members and civilians affected by...

Fall 2019 Contest: Meet the Judges
The first-ever Columbia Journal Fall Contest is now open for submissions in poetry, fiction, nonfiction, and, for the...

Labyrinthine Cinema: Review of Manifesto, Julian Rosefeldt
Julian Rosefeldt’s thirteen-part film installation, Manifesto, is situated at the approximate midpoint of the Hirshhorn’s Manifesto: Art x...

Deadline Extended: Fall 2019 Contest Now Open for Submissions!
The editors are delighted to officially announce that the Columbia Journal Fall Contest is now open for submissions...

Mapping Emotions in the City: An Interview with Melanie Kruvelis
Melanie Kruvelis talks emotional mapping, grieving alone in New York City, and the catharsis of karaoke.

A Medium Between a Thought or a Feeling: An Interview with tarah douglas
tarah douglas talks about safe spaces, space for grief, and space for responding to the world.

Review: Frida Kahlo: Appearances Can Be Deceiving
The exhibition displays Kahlo's persona: photographs, jewelry, clothing, makeup, home relics and sketches done by her and of...

Come Softly to Me: An Interview with Louis Fratino
Where his previous work evoked comfort and shared domestic spaces, in this show, Fratino has expanded his gaze...

Review: Brave, Beautiful Outlaws: The Photographs of Donna Gottschalk
Gottschalk invites you into her world with a warning: you may find what you see and hear disturbing,...

Review: The Perfect Home II by Do Ho Suh
At the Brooklyn Museum's Do Ho Suh’s "The Perfect Home II" with the literary salon, "Go Home!" the...